{"projection_revision":2,"snapshot":"cd6a6fc0b3f1a7efe084b495e50c1273","catalog_version":23309,"snapshot_created_at":"2026-10-01T09:36:29+00:00","snapshot_expires_at":"2026-10-02T09:36:29+00:00","source_changed_at":"2026-10-01T09:27:14+00:00","freshness_behavior":"materialized on first request after a committed source change; database triggers cover row writes and relationship writes","source_id_sha256":"31059c6e91cf6dbf0c21ecc36fab1fe7be69c0a12932f2dbf0929aaa2b54e447","source_content_sha256":"97a450920e22f3830cea6950c17fbd62c83ce7708af983073ddd18d79ad44f5c","total_catalog_pieces":6515,"schema_version":"2.0","query":"","normalized_query":"","resolved_filters":{"piece_id":254,"timezone":"UTC"},"sort":"relevance","projection":"full","total_matches":1,"returned":1,"page":1,"per_page":50,"total_pages":1,"previous_page_url":null,"next_page_url":null,"end_of_results":true,"alternate_formats":{"html":"https://roadtovirtuosity.com/ai/catalog/pieces/254?page=1&piece_id=254&projection=full&snapshot=cd6a6fc0b3f1a7efe084b495e50c1273","json":"https://roadtovirtuosity.com/ai/catalog/pieces/254.json?page=1&piece_id=254&projection=full&snapshot=cd6a6fc0b3f1a7efe084b495e50c1273","text":"https://roadtovirtuosity.com/ai/catalog/pieces/254.txt?page=1&piece_id=254&projection=full&snapshot=cd6a6fc0b3f1a7efe084b495e50c1273"},"warnings":["Strict taxonomy filters exclude unattributed records; search title text separately before deciding something is missing.","Work identity, musical sequence and completeness are unknown unless reviewed metadata is supplied. 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This arrangement is written in 4/4 time and uses Middle C position, with the melody shared between the hands. The music has a cheerful character, simple rhythms, short phrases, and a clear contrast between the opening section and the louder middle section.Measures 1–4 introduce the main “Camptown ladies” phrase. The melody moves in a simple beginner-friendly pattern, ending with the repeated “doo-dah” idea.Measures 5–8 continue the opening section with a similar phrase. The melody stays in Middle C position and closes with a longer “doo-dah-day” ending.Measures 9–12 begin the contrasting middle section. The dynamic changes to forte, and the phrase “Going to run all night, going to run all day” creates a stronger and more energetic sound.Measures 13–16 return to the main style and bring the piece to a close. The melody settles into the final phrase, ending with a clear cadence.The optional teacher duet adds harmony, bass motion, and a stronger rhythmic pulse underneath the student part. It gives the simple melody a fuller and more complete sound.Interesting fact: “Camptown Races” was written by Stephen Foster and first copyrighted in 1850. Early sheet music used the title “Gwine to Run All Night,” with “De Camptown Races” also appearing on the title page.How to earn points for this piece:Download or purchase the sheet music.Practice the piece carefully. Watch the video example to make sure you are accurate.Record yourself on video and upload it to YouTube. Perfection is not required. A few minor mistakes are okay.Submit a link to your video here for evaluation. We will watch your performance and give you feedback. If you need more practice, we will let you know what to work on and provide additional practice suggestions. You may also submit your video publicly so other users can evaluate it.If your performance is approved, your video will be accepted and you can collect your points.","created_at":"2023-07-31T02:26:33+00:00","first_published_at":null,"published_at":null,"updated_at":"2026-06-23T17:56:58+00:00","match_basis":"filters"}],"latest_catalog_version":23309,"source_lag_revisions":0}