{"projection_revision":2,"snapshot":"40899ee732c8a9d86f9dcf2825f62031","catalog_version":22726,"snapshot_created_at":"2026-09-30T21:24:54+00:00","snapshot_expires_at":"2026-10-01T21:24:54+00:00","source_changed_at":"2026-09-30T21:24:47+00:00","freshness_behavior":"materialized on first request after a committed source change; database triggers cover row writes and relationship writes","source_id_sha256":"994fa5919fcfaa761d9e52bb21239a18675af0c2368c42c518c82742206b2c30","source_content_sha256":"3be166ec97d00bfb58d3768897e742d25d3b57bcc642ed57e48a6daa26037627","total_catalog_pieces":6434,"schema_version":"2.0","query":"","normalized_query":"","resolved_filters":{"piece_id":3767,"timezone":"UTC"},"sort":"relevance","projection":"full","total_matches":1,"returned":1,"page":1,"per_page":50,"total_pages":1,"previous_page_url":null,"next_page_url":null,"end_of_results":true,"alternate_formats":{"html":"https://roadtovirtuosity.com/ai/catalog/pieces/3767?page=1&piece_id=3767&projection=full&snapshot=40899ee732c8a9d86f9dcf2825f62031","json":"https://roadtovirtuosity.com/ai/catalog/pieces/3767.json?page=1&piece_id=3767&projection=full&snapshot=40899ee732c8a9d86f9dcf2825f62031","text":"https://roadtovirtuosity.com/ai/catalog/pieces/3767.txt?page=1&piece_id=3767&projection=full&snapshot=40899ee732c8a9d86f9dcf2825f62031"},"warnings":["Strict taxonomy filters exclude unattributed records; search title text separately before deciding something is missing.","Work identity, musical sequence and completeness are unknown unless reviewed metadata is supplied. Catalog collections are existing subcategory groupings.","Historical first-publication dates are unknown. Date counts include only currently public entries with known first-publication dates.","File availability reports a public file reference, not a storage-health check."],"publication_count_scope":"currently public entries first published during the requested interval","unknown_publication_dates_before_date_filter":1,"distinct_work_count":null,"approximate_suggestions":[],"message":null,"pieces":[{"piece_id":3767,"title":"Angels We Have Heard on High - Easy Piano Arrangement No. 2","composer":[],"composers":[],"instrument":["Piano"],"instruments":[{"id":1,"name":"Piano"}],"genre":"Sacred","genre_id":9,"is_archive_only":false,"evaluation_eligible":true,"points":180,"level":1,"canonical_url":"https://roadtovirtuosity.com/angels-we-have-heard-on-high-easy-piano-arrangement-no-2","instrument_points":[{"instrument_id":1,"instrument":"Piano","points":180}],"collections":[{"id":122,"name":"Hymns - Christmas"}],"collection_semantics":"existing catalog subcategory grouping","work_identifiers":[],"work_id":null,"book":null,"sequence_position":null,"movement_number":null,"movement_title":null,"key":null,"arrangement":null,"edition":null,"entry_scope":null,"completeness":"unknown","reviewed_enrichment":false,"availability_label":"Non-Commercial","has_download":true,"download_availability_basis":"public license category and existing file reference; storage health not verified","description":"“Angels We Have Heard On High - Easy Piano” is a one-page easy piano arrangement in F major. The piece presents the Christmas carol melody clearly in the right hand while the left hand supports with slow single bass notes and simple harmonic tones. The arrangement keeps the famous “Gloria” refrain intact, but the texture is simplified with printed finger numbers, mostly stepwise motion, and long left-hand notes so early students can focus on melody, rhythm, and basic hand coordination.Measures 1–8 present the opening verse, “Angels we have heard on high, sweetly singing o’er the plains, and the mountains in reply echoing their joyous strains.” The right hand carries the melody in simple quarter notes, dotted rhythms, and half notes, while the left hand plays slow supporting notes underneath. The repeated phrase shape in measures 1–4 and 5–8 makes the opening easy to follow.Measures 9–12 begin the “Gloria” refrain. The melody becomes more decorative, with the right hand moving through the familiar longer melismatic pattern while the left hand continues to hold simple bass support. This section introduces the most recognizable part of the carol while keeping the accompaniment very easy.Measures 13–21 complete the refrain with “in excelsis Deo.” The right hand continues the flowing “Gloria” melody, then settles into longer notes for the final words. The left hand remains simple and steady, helping the arrangement close clearly without adding extra difficulty.Interesting fact: “Angels We Have Heard on High” is especially recognizable because of its long melismatic “Gloria” refrain, where one syllable stretches across many notes. That feature makes the carol popular in Christmas concerts, church services, films, and television specials because the refrain immediately creates a bright, celebratory Christmas sound.","created_at":"2025-05-26T19:19:35+00:00","first_published_at":null,"published_at":null,"updated_at":"2026-09-29T05:27:52+00:00","match_basis":"filters"}],"latest_catalog_version":22726,"source_lag_revisions":0}