{"projection_revision":2,"snapshot":"3f8599a676f2072f19df69b38ffa5ab3","catalog_version":23202,"snapshot_created_at":"2026-10-01T05:17:10+00:00","snapshot_expires_at":"2026-10-02T05:17:10+00:00","source_changed_at":"2026-10-01T05:14:36+00:00","freshness_behavior":"materialized on first request after a committed source change; database triggers cover row writes and relationship writes","source_id_sha256":"333ef951d255346ebc954089de7eba6f57e7f72e7716598cd3b3275c1b2c7ef6","source_content_sha256":"1198c476e224ec20c654af172ece937ad72612d290faada6d37eea8cadd0ae21","total_catalog_pieces":6495,"schema_version":"2.0","query":"","normalized_query":"","resolved_filters":{"piece_id":4031,"timezone":"UTC"},"sort":"relevance","projection":"full","total_matches":1,"returned":1,"page":1,"per_page":50,"total_pages":1,"previous_page_url":null,"next_page_url":null,"end_of_results":true,"alternate_formats":{"html":"https://roadtovirtuosity.com/ai/catalog/pieces/4031?page=1&piece_id=4031&projection=full&snapshot=3f8599a676f2072f19df69b38ffa5ab3","json":"https://roadtovirtuosity.com/ai/catalog/pieces/4031.json?page=1&piece_id=4031&projection=full&snapshot=3f8599a676f2072f19df69b38ffa5ab3","text":"https://roadtovirtuosity.com/ai/catalog/pieces/4031.txt?page=1&piece_id=4031&projection=full&snapshot=3f8599a676f2072f19df69b38ffa5ab3"},"warnings":["Strict taxonomy filters exclude unattributed records; search title text separately before deciding something is missing.","Work identity, musical sequence and completeness are unknown unless reviewed metadata is supplied. Catalog collections are existing subcategory groupings.","Historical first-publication dates are unknown. Date counts include only currently public entries with known first-publication dates.","File availability reports a public file reference, not a storage-health check."],"publication_count_scope":"currently public entries first published during the requested interval","unknown_publication_dates_before_date_filter":1,"distinct_work_count":null,"approximate_suggestions":[],"message":null,"pieces":[{"piece_id":4031,"title":"Rebikov - The Bear","composer":["Rebikov, Vladimir"],"composers":[{"id":23,"name":"Rebikov, Vladimir"}],"instrument":["Piano"],"instruments":[{"id":1,"name":"Piano"}],"genre":"1900’s - Present","genre_id":4,"is_archive_only":false,"evaluation_eligible":true,"points":205,"level":2,"canonical_url":"https://roadtovirtuosity.com/rebikov-the-bear-1","instrument_points":[{"instrument_id":1,"instrument":"Piano","points":205}],"collections":[],"collection_semantics":"existing catalog subcategory grouping","work_identifiers":[],"work_id":null,"book":null,"sequence_position":null,"movement_number":null,"movement_title":null,"key":null,"arrangement":null,"edition":null,"entry_scope":null,"completeness":"unknown","reviewed_enrichment":false,"availability_label":"Non-Commercial","has_download":true,"download_availability_basis":"public license category and existing file reference; storage health not verified","description":"Rebikov’s The Bear is a short character piece with a heavy, lumbering sound. The music uses a steady left-hand pattern throughout most of the piece, while the right hand plays simple melodic notes and thick chord shapes above it. The pesante marking helps give the piece its bear-like character, with strong weight in the rhythm and a dark, low register.Measures 1–10 introduce the main idea. The left hand moves steadily with repeated low notes and rising eighth-note figures, while the right hand enters with a simple, heavy melody. The music stays mostly in the lower range, creating a strong and grounded sound.Measures 11–18 become more forceful, beginning with a forte dynamic and thicker right-hand chords. The harmony shifts with chromatic notes, giving this section a darker and slightly more dramatic sound. The left hand continues its steady pattern underneath, keeping the same heavy walking motion.Measures 19–25 return to the earlier melodic style, now moving toward a stronger ending. The music grows in weight, reaching fortissimo near the final measures before ending with a short, firm close.Interesting fact: Vladimir Rebikov was a Russian composer who wrote many short character pieces for piano. His music often uses simple textures to suggest a clear mood or scene, making pieces like The Bear useful for students learning how to create character and expression at the piano.How to earn points for this piece:Download or purchase the sheet music.Practice the piece carefully. Watch the video example to make sure you are accurate.Record yourself on video and upload it to YouTube. (Perfection is not required. A few minor mistakes are okay.)Submit a link to your video here for evaluation. We will watch your performance and give you feedback. If you need more practice—we will let you know exactly what you need to work on along with additional practice suggestions. (Or you can submit a video to the public and other users will evaluate your video.)If your performance is good, we will approve your video and you can collect your points.","created_at":"2026-05-11T03:58:19+00:00","first_published_at":null,"published_at":null,"updated_at":"2026-06-12T14:06:48+00:00","match_basis":"filters"}],"latest_catalog_version":23202,"source_lag_revisions":0}