{"projection_revision":2,"snapshot":"a958ae5acf7dcbba799fbd45a818b6bd","catalog_version":22626,"snapshot_created_at":"2026-09-30T20:04:39+00:00","snapshot_expires_at":"2026-10-01T20:04:39+00:00","source_changed_at":"2026-09-30T19:56:35+00:00","freshness_behavior":"materialized on first request after a committed source change; database triggers cover row writes and relationship writes","source_id_sha256":"97be1923126bb373543e238030c40eceb026428781a651646c8dfe9361162953","source_content_sha256":"b528471704d1c8359e5996926bc7e8e9cc5bbe4c20d1689d1843db3f660cfdfb","total_catalog_pieces":6414,"schema_version":"2.0","query":"","normalized_query":"","resolved_filters":{"piece_id":561,"timezone":"UTC"},"sort":"relevance","projection":"full","total_matches":1,"returned":1,"page":1,"per_page":50,"total_pages":1,"previous_page_url":null,"next_page_url":null,"end_of_results":true,"alternate_formats":{"html":"https://roadtovirtuosity.com/ai/catalog/pieces/561?page=1&piece_id=561&projection=full&snapshot=a958ae5acf7dcbba799fbd45a818b6bd","json":"https://roadtovirtuosity.com/ai/catalog/pieces/561.json?page=1&piece_id=561&projection=full&snapshot=a958ae5acf7dcbba799fbd45a818b6bd","text":"https://roadtovirtuosity.com/ai/catalog/pieces/561.txt?page=1&piece_id=561&projection=full&snapshot=a958ae5acf7dcbba799fbd45a818b6bd"},"warnings":["Strict taxonomy filters exclude unattributed records; search title text separately before deciding something is missing.","Work identity, musical sequence and completeness are unknown unless reviewed metadata is supplied. Catalog collections are existing subcategory groupings.","Historical first-publication dates are unknown. Date counts include only currently public entries with known first-publication dates.","File availability reports a public file reference, not a storage-health check."],"publication_count_scope":"currently public entries first published during the requested interval","unknown_publication_dates_before_date_filter":1,"distinct_work_count":null,"approximate_suggestions":[],"message":null,"pieces":[{"piece_id":561,"title":"All Creatures Of Our God And King - Intermediate Piano Arrangement No. 1","composer":[],"composers":[],"instrument":["Piano"],"instruments":[{"id":1,"name":"Piano"}],"genre":"Sacred","genre_id":9,"is_archive_only":false,"evaluation_eligible":true,"points":1800,"level":3,"canonical_url":"https://roadtovirtuosity.com/all-creatures-of-our-god-and-king-intermediate-piano-arrangement","instrument_points":[{"instrument_id":1,"instrument":"Piano","points":1800}],"collections":[{"id":62,"name":"Hymns"},{"id":63,"name":"Hymns - General"}],"collection_semantics":"existing catalog subcategory grouping","work_identifiers":[],"work_id":null,"book":null,"sequence_position":null,"movement_number":null,"movement_title":null,"key":null,"arrangement":null,"edition":null,"entry_scope":null,"completeness":"unknown","reviewed_enrichment":false,"availability_label":"Non-Commercial","has_download":true,"download_availability_basis":"public license category and existing file reference; storage health not verified","description":"“All Creatures Of Our God And King” arranged by Michael Kravchuk is an intermediate piano arrangement of the well-known hymn. The piece is written in D major and 3/2 time, giving it a broad, steady hymn character. The right hand carries the main melody clearly, while the left hand supports with held chords, simple harmonic tones, and occasional moving notes. The arrangement is calm and hymn-like throughout, with a focus on steady counting, clear voicing, and smooth melodic playing.Measures 1–8 introduce the main hymn melody. The right hand plays the familiar tune in long, clear note values, while the left hand supports with simple chord tones and held harmonies. The texture is open and easy to follow, allowing the melody to stay in the foreground.Measures 9–16 continue the first large statement of the hymn. The right hand moves through repeated melodic shapes, small slurs, and longer held notes, while the left hand keeps the harmony steady underneath. The fermata near the end of this section gives the phrase a natural pause before the next part begins.Measures 17–24 bring back familiar melodic material with a slightly fuller left-hand texture. The right hand continues the tune in the same broad style, while the left hand uses more chordal support and a few small moving notes. This gives the second page a little more weight without making the arrangement too busy.Measures 25 to the end complete the hymn setting. The right hand continues the melody with stepwise motion and small repeated figures, while the left hand supports with stable chords and final harmonic movement. The last measures settle into a clear cadence, ending the arrangement with a simple, complete hymn-style close.Interesting fact: “All Creatures of Our God and King” is based on a text by St. Francis of Assisi and is commonly sung to the tune LASST UNS ERFREUEN. The repeated “Alleluia” phrases are one reason the hymn has such a strong, joyful character.","created_at":"2023-08-14T04:30:27+00:00","first_published_at":null,"published_at":null,"updated_at":"2026-09-13T04:22:32+00:00","match_basis":"filters"}],"latest_catalog_version":22626,"source_lag_revisions":0}