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Zero points with Level 0 are pending. Positive points establish known grading, including beginner Level 0; explicit review declarations are preserved.","Strict taxonomy filters exclude unattributed records; search title text separately before deciding something is missing.","Work identity, musical sequence and completeness are unknown unless reviewed metadata is supplied. Catalog collections are existing subcategory groupings.","Historical first-publication dates are unknown. Date counts include only currently public entries with known first-publication dates.","File availability reports a public file reference, not a storage-health check."],"publication_count_scope":"currently public entries first published during the requested interval","unknown_publication_dates_before_date_filter":0,"distinct_work_count":null,"approximate_suggestions":[],"message":null,"pieces":[{"piece_id":6711,"title":"Abeelen - The Blue Bells of Scotland (Left Hand Alone)","composer":[],"composers":[],"instrument":["Piano"],"instruments":[{"id":1,"name":"Piano"}],"genre":"Romantic","genre_id":3,"is_archive_only":false,"evaluation_eligible":true,"grading_status":"graded","grading_status_label":"Graded","points":871532,"level":9,"canonical_url":"https://roadtovirtuosity.com/abeelen-the-blue-bells-of-scotland-left-hand-alone","instrument_points":[{"instrument_id":1,"instrument":"Piano","points":871532}],"collections":[],"collection_semantics":"existing catalog subcategory grouping","work_identifiers":[],"work_id":null,"book":null,"sequence_position":null,"movement_number":null,"movement_title":null,"key":null,"arrangement":null,"edition":null,"entry_scope":null,"completeness":"unknown","reviewed_enrichment":false,"availability_label":"Public Domain","has_download":true,"download_availability_basis":"public license category and existing file reference; storage health not verified","description":"1. Measures 1–4: An Allegro marziale introduction begins in the low register, then gathers into closely spaced, slurred bass figures that diminish and slow.\n2. Measures 5–28: The Andante presents the tune quietly in chords before moving it above rolled lower harmonies. Stronger chordal phrases and a small flourish lead to a tranquillo continuation; the close places soft upper chords in an octave-transposed register above sustained bass sonorities.\n3. Measures 29–40: Piu mosso e con spirito turns the tune into detached, dotted chord figures alternating with low bass notes. The texture then changes to flowing rapid figures, with the melodic line emerging among repeated alternating notes.\n4. Measures 41–50: A Grandioso statement expands the chordal rhythm with triplets and a bass flourish. The music relaxes into tranquillo, then revisits the soft, high chordal close.\n5. Measures 51–65: Allegro brillante sets the melody within continuous arpeggios. A rising precipitato flourish leads through chromatic figures and a slowing transition into a very quiet Piu lento quasi Andante. This whole section repeats, with greater force and animation requested for the second traversal.\n6. Measures 66–71: A loud Presto carries the broken figures through the middle and low registers. A final sweeping ascent is answered by detached high notes, a rolled upper chord and a low closing sonority.","created_at":"2026-09-30T19:55:31+00:00","first_published_at":"2026-09-30T19:55:31+00:00","published_at":"2026-09-30T19:55:31+00:00","updated_at":"2026-09-30T19:55:35+00:00","match_basis":"filters"}],"latest_catalog_version":33176,"source_lag_revisions":0}