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Zero points with Level 0 are pending. Positive points establish known grading, including beginner Level 0; explicit review declarations are preserved.","Strict taxonomy filters exclude unattributed records; search title text separately before deciding something is missing.","Work identity, musical sequence and completeness are unknown unless reviewed metadata is supplied. Catalog collections are existing subcategory groupings.","Historical first-publication dates are unknown. Date counts include only currently public entries with known first-publication dates.","File availability reports a public file reference, not a storage-health check.","A newer source revision exists. 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Measures 1–7: The Lento ma non troppo introduction alternates short octave exchanges with rapid descending flourishes. A quiet legato figure develops an inner line, then rises into an accented close and a fermata rest.\n2. Measures 8–23: The D-major polka theme is marked con grazia. Grace notes, detached eighths and short chromatic turns unfold over bass notes and chords. A delicatamente high-register response and a passage of upper intervals complete each phrase.\n3. Measures 24–35: Brillante octave figures broaden the melody over emphatic chords. Detached upper replies, chromatic motion and rising sextuplets lead to the closing repeat.\n4. Measures 36–59: Light descending flourishes alternate with chordal responses and rising octave lines. Marked upper octave notes and inner intervals interrupt the flowing passagework before a broader octave cadence.\n5. Measures 60–79: The con grazia theme returns in a shorter form, followed by the Brillante octave material. Chromatic sequences and high-register flourishes lead toward the change of key.\n6. Measures 80–99: A two-flat middle section introduces a new melody with separately articulated inner notes above repeated lower chords. Light descending runs, octave calls and rising replies interrupt the recurring pattern.\n7. Measures 100–117: The middle-section material returns with varied upper responses and stronger chordal punctuation. Rising gestures and fuller chords lead to a cadence and key change.\n8. Measures 118–135: Repeated upper notes and a slowing transition return to two sharps. The con grazia melody reappears with its chromatic turns, high ornaments and interval-based replies.\n9. Measures 136–158: A con bravura continuation develops the Brillante octave material through chromatic sequences and changing registers. A brief passage of moving octaves in both hands leads to further upper octave runs, fortissimo chords and the final tied sonority.","created_at":"2026-09-30T20:56:07+00:00","first_published_at":"2026-09-30T20:56:07+00:00","published_at":"2026-09-30T20:56:07+00:00","updated_at":"2026-09-30T20:56:10+00:00","match_basis":"filters"}],"latest_catalog_version":33159,"source_lag_revisions":5}