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Zero points with Level 0 are pending. Positive points establish known grading, including beginner Level 0; explicit review declarations are preserved.","Strict taxonomy filters exclude unattributed records; search title text separately before deciding something is missing.","Work identity, musical sequence and completeness are unknown unless reviewed metadata is supplied. Catalog collections are existing subcategory groupings.","Historical first-publication dates are unknown. Date counts include only currently public entries with known first-publication dates.","File availability reports a public file reference, not a storage-health check."],"publication_count_scope":"currently public entries first published during the requested interval","unknown_publication_dates_before_date_filter":0,"distinct_work_count":null,"approximate_suggestions":[],"message":null,"pieces":[{"piece_id":6739,"title":"Abramsky - 3 Dramatic Dances - III. Victime du jeu de hazard","composer":[],"composers":[],"instrument":["Piano"],"instruments":[{"id":1,"name":"Piano"}],"genre":"1900’s - Present","genre_id":4,"is_archive_only":false,"evaluation_eligible":true,"grading_status":"graded","grading_status_label":"Graded","points":337275,"level":8,"canonical_url":"https://roadtovirtuosity.com/abramsky-3-dramatic-dances-iii-victime-du-jeu-de-hazard","instrument_points":[{"instrument_id":1,"instrument":"Piano","points":337275}],"collections":[],"collection_semantics":"existing catalog subcategory grouping","work_identifiers":[],"work_id":null,"book":null,"sequence_position":null,"movement_number":null,"movement_title":null,"key":null,"arrangement":null,"edition":null,"entry_scope":null,"completeness":"unknown","reviewed_enrichment":false,"availability_label":"Public Domain","has_download":true,"download_availability_basis":"public license category and existing file reference; storage health not verified","description":"1. Measures 1–10: The Andante begins in the low register, pairing detached upper intervals with offbeat bass notes. Ornamented responses and a line passed between the hands expand the sparse dialogue.\n2. Measures 11–23: Chromatic runs overlap held notes and return to the earlier short responses. The lower part becomes more active, with opposed runs, accented chords and quiet inner notes before the poco ritardando close.\n3. Measures 24–38: The Vivace changes to 3/8. Rapid repeated intervals pass between the hands, alternating with accented calls, short chromatic flourishes and a detached bass pulse. The upper intervals then alternate between contrasting registers over a tied lower line.\n4. Measures 39–53: High chordal patterns intensify the texture before descending chromatic figures pass between the hands. Sustained low intervals remain above a repeated lower pulse, which diminishes and slows toward Tempo I.\n5. Measures 54–62: The return to 2/4 brings a legato chordal sequence, a brief chromatic expansion and the earlier contrast between marked chord arrivals and quiet inner notes.\n6. Measures 63–71: A short 2/8 bar leads into the closing 3/8 passage. Tied sonorities, a triplet response and sparse ornamented upper calls give way to a soft flourish, fermatas and the low held ending.\n\nThis 1930 edition is public domain in the United States. Copyright restrictions may still apply elsewhere, including Canada and the EU.","created_at":"2026-09-30T22:00:10+00:00","first_published_at":"2026-09-30T22:00:10+00:00","published_at":"2026-09-30T22:00:10+00:00","updated_at":"2026-09-30T22:00:16+00:00","match_basis":"filters"}],"latest_catalog_version":33176,"source_lag_revisions":0}