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Measures 9–29 expand this material through chordal replies, hand-to-hand exchanges and quieter layered passages. In mm. 30–47, overlapping melodic lines and high interval figures build through several registers before a ritenuto. The a tempo vivo passage, mm. 48–62, introduces a more continuous upper line, marked lower gestures and increasingly varied rhythmic groups. Poco più mosso begins at m. 63; dotted figures meet detached triplet bass patterns before longer ascending and descending runs in mm. 73–76. Measures 77–92 weave chromatic lines and arpeggios around accented upper notes, then slow toward the Moderato within m. 93. Its quieter, rubato texture continues through m. 99. At m. 100, a tempo cominciativo recalls the opening over a low trill; the texture subsequently grows into legatissimo streams and irregular note groups through m. 119. Come prima at m. 120 brings back the long-note motive amid active lower replies, followed by a broad chromatic ascent. Subito più mosso at m. 136 launches the final continuation: high-register figures, layered chords and descending streams lead to the closing trills and fortissimo sonority in m. 149.\n\nThis 1926 edition is public domain in the United States. Copyright restrictions may still apply elsewhere, including Canada and the EU.","created_at":"2026-09-30T22:01:21+00:00","first_published_at":"2026-09-30T22:01:21+00:00","published_at":"2026-09-30T22:01:21+00:00","updated_at":"2026-09-30T22:01:25+00:00","match_basis":"filters"}],"latest_catalog_version":33176,"source_lag_revisions":0}