{"projection_revision":6,"snapshot":"1cf7fa00588703c8309209d9bf1e893b","catalog_version":33176,"snapshot_created_at":"2026-10-21T14:48:36+00:00","snapshot_expires_at":"2026-10-22T14:48:36+00:00","source_changed_at":"2026-10-21T14:44:09+00:00","freshness_behavior":"materialized on first request after a committed source change; database triggers cover row writes and relationship writes","source_id_sha256":"457da22ef38bcd9fdeaa58f03fbc0852ae5fcd781ac27592a3f3235d5220a0fa","source_content_sha256":"d16c7b32243426fbcde1e7f14a5a300ffa7f6714e1e47e408903a6ee4b751885","total_catalog_pieces":8266,"canonical_url":"https://roadtovirtuosity.com/ai/catalog/pieces/6767?piece_id=6767","schema_version":"2.0","query":"","normalized_query":"","resolved_filters":{"piece_id":6767,"timezone":"UTC"},"sort":"relevance","projection":"full","total_matches":1,"returned":1,"page":1,"per_page":50,"total_pages":1,"previous_page_url":null,"next_page_url":null,"end_of_results":true,"alternate_formats":{"html":"https://roadtovirtuosity.com/ai/catalog/pieces/6767?page=1&piece_id=6767&projection=full&snapshot=1cf7fa00588703c8309209d9bf1e893b","json":"https://roadtovirtuosity.com/ai/catalog/pieces/6767.json?page=1&piece_id=6767&projection=full&snapshot=1cf7fa00588703c8309209d9bf1e893b","text":"https://roadtovirtuosity.com/ai/catalog/pieces/6767.txt?page=1&piece_id=6767&projection=full&snapshot=1cf7fa00588703c8309209d9bf1e893b"},"warnings":["Archive-only entries have unknown grading status. Zero points with Level 0 are pending. Positive points establish known grading, including beginner Level 0; explicit review declarations are preserved.","Strict taxonomy filters exclude unattributed records; search title text separately before deciding something is missing.","Work identity, musical sequence and completeness are unknown unless reviewed metadata is supplied. Catalog collections are existing subcategory groupings.","Historical first-publication dates are unknown. Date counts include only currently public entries with known first-publication dates.","File availability reports a public file reference, not a storage-health check."],"publication_count_scope":"currently public entries first published during the requested interval","unknown_publication_dates_before_date_filter":0,"distinct_work_count":null,"approximate_suggestions":[],"message":null,"pieces":[{"piece_id":6767,"title":"Abt - Die Uebermüthigen, Op. 22","composer":[],"composers":[],"instrument":["Piano"],"instruments":[{"id":1,"name":"Piano"}],"genre":"Romantic","genre_id":3,"is_archive_only":false,"evaluation_eligible":true,"grading_status":"graded","grading_status_label":"Graded","points":74698,"level":7,"canonical_url":"https://roadtovirtuosity.com/abt-die-uebermuthigen-op-22","instrument_points":[{"instrument_id":1,"instrument":"Piano","points":74698}],"collections":[],"collection_semantics":"existing catalog subcategory grouping","work_identifiers":[],"work_id":null,"book":null,"sequence_position":null,"movement_number":null,"movement_title":null,"key":null,"arrangement":null,"edition":null,"entry_scope":null,"completeness":"unknown","reviewed_enrichment":false,"availability_label":"Public Domain","has_download":true,"download_availability_basis":"public license category and existing file reference; storage health not verified","description":"Measures 1–16 introduce a lightly articulated melody with trills, grace notes and chromatic turns over alternating bass notes and chords. The phrase grows through a crescendo before its repeated close. Measures 17–32 answer with a stronger interval melody, tied notes and dotted rhythms, beginning against chord triplets in the left hand.\n\nThe four-bar bridge in measures 33–36 leaves the right hand alone for chord, octave and repeated-note figures. An eighth-note pickup leads to the G-major passage at measures 37–44, where rising short-note figures, detached notes and brief ornaments sound above a lighter bass-and-interval accompaniment. A second pickup introduces measures 45–60, with dotted upper intervals and a return of the earlier detached and ornamented figures.\n\nThe written coda begins at measure 61 in D major, recalling the opening melody through measure 76. Measures 77–88 revisit the stronger tied-interval material with changes in the upper part and accompaniment. Measures 89–99 broaden into fuller chords, measured left-hand chord repetitions and running figures, then end with spaced chord accents and a sustained final sonority.","created_at":"2026-09-30T23:24:45+00:00","first_published_at":"2026-09-30T23:24:45+00:00","published_at":"2026-09-30T23:24:45+00:00","updated_at":"2026-09-30T23:24:48+00:00","match_basis":"filters"}],"latest_catalog_version":33176,"source_lag_revisions":0}