RTV PUBLIC REPERTOIRE CATALOG
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Filters: {"piece_id":6768,"timezone":"UTC"}
Matches: 1 | Returned: 1 | Public catalog: 8266
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Version: 33176 | Snapshot: 1cf7fa00588703c8309209d9bf1e893b
Created: 2026-10-21T14:48:36+00:00 | Source: 2026-10-21T14:44:09+00:00 | Expires: 2026-10-22T14:48:36+00:00


{"piece_id":6768,"title":"Acevedo Bernal - Sabanero (Pasillo)","composer":[],"composers":[],"instrument":["Piano"],"instruments":[{"id":1,"name":"Piano"}],"genre":"Romantic","genre_id":3,"is_archive_only":false,"evaluation_eligible":true,"grading_status":"graded","grading_status_label":"Graded","points":11331,"level":5,"canonical_url":"https://roadtovirtuosity.com/acevedo-bernal-sabanero-pasillo","instrument_points":[{"instrument_id":1,"instrument":"Piano","points":11331}],"collections":[],"collection_semantics":"existing catalog subcategory grouping","work_identifiers":[],"work_id":null,"book":null,"sequence_position":null,"movement_number":null,"movement_title":null,"key":null,"arrangement":null,"edition":null,"entry_scope":null,"completeness":"unknown","reviewed_enrichment":false,"availability_label":"Public Domain","has_download":true,"download_availability_basis":"public license category and existing file reference; storage health not verified","description":"The opening strain in D major (measures 1–21) exchanges short eighth-note figures between the hands. Moving treble phrases alternate with sustained chords while the bass supplies separated notes and chord accents. Chromatic bass notes and a rising melody colour measures 13–16; the lower line becomes more active in measures 17–19 before the first and second endings in measures 20–21.\n\nMeasures 22–38 broaden the texture with held right-hand chords over rising left-hand figures. In measures 27–29, a sustained bass supports a moving inner part. Fuller treble chords and small grace-note pairs follow in measures 30–33, then descending chord shapes lead to the alternate endings in measures 37–38.\n\nThe final strain, measures 39–55, changes to G major with a one-sharp signature and an ff opening. Offbeat melody notes and dotted-quarter chords sit above the bass pulse, with short single-note passages in measures 42–43 and 46. Held bass tones return beneath inner motion in measures 47 and 50. The first ending in measure 54 leads back to measure 39; the second ending in measure 55 closes with a treble chord and low bass octave followed by rests.","created_at":"2026-09-30T23:24:55+00:00","first_published_at":"2026-09-30T23:24:55+00:00","published_at":"2026-09-30T23:24:55+00:00","updated_at":"2026-09-30T23:24:59+00:00","match_basis":"filters"}

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