RTV PUBLIC REPERTOIRE CATALOG
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Filters: {"piece_id":6792,"timezone":"UTC"}
Matches: 1 | Returned: 1 | Public catalog: 8266
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Version: 33176 | Snapshot: 1cf7fa00588703c8309209d9bf1e893b
Created: 2026-10-21T14:48:36+00:00 | Source: 2026-10-21T14:44:09+00:00 | Expires: 2026-10-22T14:48:36+00:00


{"piece_id":6792,"title":"Adalid - Romances sans paroles, Book 4 No. 1 - Ne plus te voir!","composer":[],"composers":[],"instrument":["Piano"],"instruments":[{"id":1,"name":"Piano"}],"genre":"Romantic","genre_id":3,"is_archive_only":false,"evaluation_eligible":true,"grading_status":"graded","grading_status_label":"Graded","points":15785,"level":5,"canonical_url":"https://roadtovirtuosity.com/adalid-romances-sans-paroles-book-4-no-1-ne-plus-te-voir","instrument_points":[{"instrument_id":1,"instrument":"Piano","points":15785}],"collections":[],"collection_semantics":"existing catalog subcategory grouping","work_identifiers":[],"work_id":null,"book":null,"sequence_position":null,"movement_number":null,"movement_title":null,"key":null,"arrangement":null,"edition":null,"entry_scope":null,"completeness":"unknown","reviewed_enrichment":false,"availability_label":"Public Domain","has_download":true,"download_availability_basis":"public license category and existing file reference; storage health not verified","description":"Measures 1–9 combine a dotted upper melody with short inner eighth-note figures over sustained bass notes. Small lower-hand pickups connect the phrases, and accents begin to sharpen the melodic line.\n\nMeasures 10–20 pass the moving figure between the hands. Long upper notes alternate with short running answers, while the left hand adds moving notes above its bass and a brief three-voice passage in measure 18.\n\nMeasures 21–44 build gradually through recurring broken chords and chromatic changes. The upper melody remains prominent above the inner figure, with stronger accents and changing bass notes at the central rise.\n\nMeasures 45–64 move the accompaniment into the left hand more often, then return to the opening melodic pattern. Sustained bass tones, short pickups and detached low notes continue to mark the phrase endings.\n\nMeasures 65–72 place the melody, accompaniment and held harmony in a lower register before the upper running line returns. Measures 73–77 descend and diminish through a marked ritardando, ending on a long soft note.\n\nMeasures 78–81 close with a sustained chord and three shorter chordal statements, the last two marked pianissimo.","created_at":"2026-10-01T02:08:53+00:00","first_published_at":"2026-10-01T02:08:53+00:00","published_at":"2026-10-01T02:08:53+00:00","updated_at":"2026-10-01T02:08:56+00:00","match_basis":"filters"}

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