{"projection_revision":6,"snapshot":"1cf7fa00588703c8309209d9bf1e893b","catalog_version":33176,"snapshot_created_at":"2026-10-21T14:48:36+00:00","snapshot_expires_at":"2026-10-22T14:48:36+00:00","source_changed_at":"2026-10-21T14:44:09+00:00","freshness_behavior":"materialized on first request after a committed source change; database triggers cover row writes and relationship writes","source_id_sha256":"457da22ef38bcd9fdeaa58f03fbc0852ae5fcd781ac27592a3f3235d5220a0fa","source_content_sha256":"d16c7b32243426fbcde1e7f14a5a300ffa7f6714e1e47e408903a6ee4b751885","total_catalog_pieces":8266,"canonical_url":"https://roadtovirtuosity.com/ai/catalog/pieces/6796?piece_id=6796","schema_version":"2.0","query":"","normalized_query":"","resolved_filters":{"piece_id":6796,"timezone":"UTC"},"sort":"relevance","projection":"full","total_matches":1,"returned":1,"page":1,"per_page":50,"total_pages":1,"previous_page_url":null,"next_page_url":null,"end_of_results":true,"alternate_formats":{"html":"https://roadtovirtuosity.com/ai/catalog/pieces/6796?page=1&piece_id=6796&projection=full&snapshot=1cf7fa00588703c8309209d9bf1e893b","json":"https://roadtovirtuosity.com/ai/catalog/pieces/6796.json?page=1&piece_id=6796&projection=full&snapshot=1cf7fa00588703c8309209d9bf1e893b","text":"https://roadtovirtuosity.com/ai/catalog/pieces/6796.txt?page=1&piece_id=6796&projection=full&snapshot=1cf7fa00588703c8309209d9bf1e893b"},"warnings":["Archive-only entries have unknown grading status. Zero points with Level 0 are pending. Positive points establish known grading, including beginner Level 0; explicit review declarations are preserved.","Strict taxonomy filters exclude unattributed records; search title text separately before deciding something is missing.","Work identity, musical sequence and completeness are unknown unless reviewed metadata is supplied. Catalog collections are existing subcategory groupings.","Historical first-publication dates are unknown. Date counts include only currently public entries with known first-publication dates.","File availability reports a public file reference, not a storage-health check."],"publication_count_scope":"currently public entries first published during the requested interval","unknown_publication_dates_before_date_filter":0,"distinct_work_count":null,"approximate_suggestions":[],"message":null,"pieces":[{"piece_id":6796,"title":"Adalid - Romances sans paroles, Book 4 No. 5 - La ronde","composer":[],"composers":[],"instrument":["Piano"],"instruments":[{"id":1,"name":"Piano"}],"genre":"Romantic","genre_id":3,"is_archive_only":false,"evaluation_eligible":true,"grading_status":"graded","grading_status_label":"Graded","points":40890,"level":6,"canonical_url":"https://roadtovirtuosity.com/adalid-romances-sans-paroles-book-4-no-5-la-ronde","instrument_points":[{"instrument_id":1,"instrument":"Piano","points":40890}],"collections":[],"collection_semantics":"existing catalog subcategory grouping","work_identifiers":[],"work_id":null,"book":null,"sequence_position":null,"movement_number":null,"movement_title":null,"key":null,"arrangement":null,"edition":null,"entry_scope":null,"completeness":"unknown","reviewed_enrichment":false,"availability_label":"Public Domain","has_download":true,"download_availability_basis":"public license category and existing file reference; storage health not verified","description":"The Tempo di marcia con anima opening, measures 1–16, alternates a lower-register melody with clipped upper chords. The printed hand exchanges place the opening melody in the right hand and the repeated upper chords in the left; the hands return to the more usual arrangement for the accented replies.\n\nMeasures 17–24 introduce a legato upper line above held inner notes and bass sonorities. Dotted figures and small lower movements lead to the first trill in measure 24. The melody continues through measures 25–34, with a second trill in measure 28 and more forceful octave and chord exchanges in measures 30–31. Short replies diminish through measures 35–40.\n\nMeasures 41–56 return to the march figures with changed harmonies and renewed hand exchanges. The legato material follows in measures 57–64; the trill in measure 64 has a small written two-note ending.\n\nThe continuation in measures 65–74 again grows through dotted figures, a trill in measure 68 and accented upper-register chords in measures 70–71. Measures 75–80 reduce the texture to separated upper replies and lower punctuation, ending quietly with rests.","created_at":"2026-10-01T02:09:23+00:00","first_published_at":"2026-10-01T02:09:23+00:00","published_at":"2026-10-01T02:09:23+00:00","updated_at":"2026-10-01T02:09:27+00:00","match_basis":"filters"}],"latest_catalog_version":33176,"source_lag_revisions":0}