RTV repertoire catalog

Query: (all public entries). Filters: {"piece_id":3524,"timezone":"UTC"}

1 matches; 1 returned. Page 1 of 1. 6464 public catalog entries.

Catalog version 22876; snapshot created 2026-09-30T23:28:27+00:00; source changed 2026-09-30T23:25:03+00:00; snapshot expires 2026-10-01T23:28:27+00:00.

Angels We Have Heard On High - Hymnal

ID 3524 · Structured composer unknown · Piano · Level 4 · Points 4200

Non-Commercial · Download listed · Match: filters

Collections: Hymns - Christmas

First published: unknown. Completeness: unknown.

“Angels We Have Heard On High” is presented here as a traditional four-part hymnal setting in G major. The page includes soprano, alto, tenor, and bass harmony, with three verses of lyrics placed under the vocal lines. This is not a lead sheet or improvisation page; it is written hymn repertoire, meant to be performed from the notation as printed. The soprano carries the familiar Christmas carol melody while the lower voices provide full harmonic support underneath.Measures 1–4 present the opening verse phrase, “Angels we have heard on high, sweetly singing o’er the plains.” The soprano line carries the main melody in a clear, hymn-like shape, while the alto, tenor, and bass voices support with steady four-part harmony. The stacked lyrics allow the same music to carry all three verses.Measures 5–8 begin the first “Gloria” refrain. The soprano stretches the word “Gloria” across a long melismatic line, while the lower voices move underneath in fuller harmony. This section gives the carol its most recognizable sound.Measures 9–14 continue the “Gloria in excelsis Deo” refrain. The melody again extends through a long flowing line, with the inner voices and bass filling out the harmony below it. The repeated refrain gives the setting a broad, celebratory character after the simpler verse opening.Measures 15–16 bring the carol to its final cadence. The voices settle together into a clear G major ending, completing the refrain with a strong hymnal close. The final sonority gives the short setting a full congregational finish.Interesting fact: The English words most commonly sung today are associated with James Chadwick’s translation of the French carol. That is why the carol has both a French folk-carol background and a strongly familiar English hymn tradition, making it common in church hymnals, Christmas programs, and choral services.How to earn points for this piece:Download or purchase the sheet music.Practice the piece carefully. Watch the video example to make sure you are accurate.Record yourself on video and upload it to Youtube. (Perfection is not required. A few minor mistakes are okay)Submit a link to your video here for evaluation. We will watch your performance and give you feedback. If you need more practice - we will let you know exactly what you need to work on along with additional practice suggestions. (Or you can submit a video to the public and other users will evaluate your video)If your performance is good, we will approve your video and you can collect your points.

Full public metadata

Interpretation and coverage

materialized on first request after a committed source change; database triggers cover row writes and relationship writes