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Catalog version 33176; snapshot created 2026-10-21T14:48:36+00:00; source changed 2026-10-21T14:44:09+00:00; snapshot expires 2026-10-22T14:48:36+00:00.

Abt - Die Uebermüthigen, Op. 22

ID 6767 · Structured composer unknown · Piano · Graded · Level 7 · Points 74698

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First published: 2026-09-30T23:24:45+00:00. Completeness: unknown.

Measures 1–16 introduce a lightly articulated melody with trills, grace notes and chromatic turns over alternating bass notes and chords. The phrase grows through a crescendo before its repeated close. Measures 17–32 answer with a stronger interval melody, tied notes and dotted rhythms, beginning against chord triplets in the left hand. The four-bar bridge in measures 33–36 leaves the right hand alone for chord, octave and repeated-note figures. An eighth-note pickup leads to the G-major passage at measures 37–44, where rising short-note figures, detached notes and brief ornaments sound above a lighter bass-and-interval accompaniment. A second pickup introduces measures 45–60, with dotted upper intervals and a return of the earlier detached and ornamented figures. The written coda begins at measure 61 in D major, recalling the opening melody through measure 76. Measures 77–88 revisit the stronger tied-interval material with changes in the upper part and accompaniment. Measures 89–99 broaden into fuller chords, measured left-hand chord repetitions and running figures, then end with spaced chord accents and a sustained final sonority.

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