Adalid - Romances sans paroles, Book 1 No. 1 - Beaux jours passés!
ID 6774 · Structured composer unknown · Piano · Graded · Level 5 · Points 12876
Public Domain · Download listed · Match: filters
First published: 2026-10-01T01:11:22+00:00. Completeness: unknown.Measures 1–19 set a broad lower melody against a continuous right-hand pattern of three-note broken chords. Long bass notes underpin the phrases, and repeated swells alternate with softer responses. Measures 20–73 carry the same flowing pattern through chromatic changes and several shifts of register. The bass sometimes falls silent or answers with short notes; elsewhere a sustained bass supports a moving line above it. Measure 39 briefly adds a long upper note within the right-hand figure. Measures 74–88 bring more emphatic chord entries in the left hand, followed by an acceleration and a fuller climax. Measures 89–96 rise into the upper register, descend through a long single-note line and settle on held notes with a ritardando. Measures 97–114 restore the original tempo and broken-chord texture. Two left-hand trills appear over sustained lower notes, and the figuration gradually moves downward over long bass octaves. Measures 115–120 wind down through changing registers, a separated low note and a final chordal close.
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