Description:

“All Hail The Power Of Jesus' Name - Intermediate Piano Arrangement” is classified as a Level 4 Piano work worth 3,280 points within the Road to Virtuosity progression system. It is categorized under Intermediate Piano Arrangements → Hymns, Hymns - General and is part of the Sacred collection. The sheet music for “All Hail The Power Of Jesus' Name - Intermediate Piano Arrangement” provided on this website is available for non-commercial use. This means it may be downloaded, printed, studied, and performed for personal or educational purposes, but it may not be sold, redistributed commercially, or used as part of a paid product without permission.

“All Hail The Power Of Jesus’ Name” arranged by Polly Bekasova is an intermediate piano arrangement of Oliver Holden’s hymn tune. The piece is written in F major and common time, with a clear right-hand melody supported by mostly chordal left-hand harmony. The arrangement begins in a simple hymn style, then gradually adds more movement through passing tones, small eighth-note figures, and a more active left-hand line before closing with a full final cadence.

Measures 1–4 introduce the main hymn melody in the right hand. The left hand supports with steady blocked chords, keeping the texture clear and traditional. The melody moves mostly in simple quarter notes, so the opening feels direct and easy to follow.

Measures 5–10 continue the first large phrase. The right hand begins with a longer note, then moves into the next part of the tune with a small eighth-note figure near the end of the section. The left hand keeps the harmony stable with mostly held chord tones, giving the melody plenty of space.

Measures 11–16 continue the hymn melody and bring a little more motion. The right hand uses stepwise movement, longer notes, and another short eighth-note figure, while the left hand supports with chords and a brief moving bass line. This section helps lead the music forward into the second page.

Measures 17–25 bring back the familiar tune with a slightly more active accompaniment. The right hand still carries the melody, while the left hand moves more often between bass notes and supporting tones. This gives the arrangement more movement without losing the hymn-like character.

Measures 26 to the end form the closing section. The right hand includes a few quicker notes before settling into longer tones, while the left hand supports with lower moving notes and final harmony. The last measures hold the sound longer and close with a simple, complete cadence.

Interesting fact: Oliver Holden’s tune CORONATION was published in Boston in 1793 and became one of the best-known tunes for “All Hail the Power of Jesus’ Name.” The hymn text is also sung with other tunes, but CORONATION remains one of the most familiar settings.

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