Anonymous (misattributed to Handel) - Passepied In A Major
Baroque
Difficulty Level: 3
(2,020 Points)
Description:
“Anonymous (misattributed to Handel) - Passepied In A Major” is classified as a Level 3 Piano work worth 2,020 points within the Road to Virtuosity progression system. It is categorized under Composers → Anonymous and is part of the Baroque collection. The sheet music for “Anonymous (misattributed to Handel) - Passepied In A Major” provided on this website is available for non-commercial use. This means it may be downloaded, printed, studied, and performed for personal or educational purposes, but it may not be sold, redistributed commercially, or used as part of a paid product without permission.
“Anonymous - Passepied In A Major” is a short Baroque-style keyboard dance in 3/8 time. The piece has a bright, clean character, with short phrases, light articulation, simple two-hand coordination, and repeated sections. Even though it has often been connected with Handel, this edition lists it as anonymous and misattributed to Handel.
Measures 1–4 introduce the main dance character with a strong opening dynamic and a light 3/8 pulse. The right hand uses short slurred figures and a small trill, while the left hand supports with simple bass motion underneath.
Measures 5–8 continue the first section with stepwise motion, another trill, and a clear closing gesture. The section is repeated, which gives the piece the balanced phrase structure typical of short Baroque dances.
Measures 8–12 begin the second repeated section. The right hand moves through a slightly higher register with more active finger patterns, while the left hand keeps the harmony simple and steady. The texture stays light and clean rather than thick.
Measures 13–16 close the piece with another short phrase, using slurred motion, simple harmonic support, and a final cadence. The ending keeps the same dance-like character and finishes clearly without becoming dramatic.
Interesting fact: this piece is commonly listed as Passepied in A major, HWV 560, but this edition marks it as Anonymous, misattributed to Handel. That makes it a good example of how some older keyboard pieces circulated under famous composer names even when the actual authorship is uncertain.
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