This intermediate arrangement of “Away In A Manger” presents the familiar Christmas carol in a gentle and lyrical piano setting. The melody remains clear throughout, while the accompaniment gradually becomes more active and provides a good balance between melodic playing, coordination, and flowing patterns.

The piece begins with a simple, open texture, with the melody in the upper register supported by steady bass notes and harmonic intervals. As the arrangement progresses, the accompaniment develops into more flowing eighth-note figures, giving the middle and later sections greater movement while keeping the character of the carol intact.

Measures 1–10 form the opening section. The melody is established clearly in the right hand, supported by simple left-hand notes and intervals. The texture is spacious and controlled, making this section a gentle introduction to the piece. Keep the melody prominent while maintaining an even pulse and smooth phrasing.

Measures 11–24 continue the melody through several lyrical phrases while the accompaniment becomes somewhat more varied. Changes in the rhythmic organization and short melodic movements require careful coordination between the hands. Pay attention to the longer melody notes and allow them to sing naturally over the accompaniment.

Measures 25–34 introduce a noticeably more active accompaniment. Flowing eighth-note patterns appear beneath the sustained and moving melody, giving the music greater forward motion. Keep the accompaniment controlled and even so that it supports the melody without overpowering it.

Measures 35–40 continue the flowing accompaniment and create one of the more active portions of the arrangement. The right hand combines longer melodic notes with shorter movements, while the left hand maintains the underlying motion. Aim for relaxed coordination, an even accompaniment, and a singing melodic line.

Measures 41–45 form the final section. The flowing accompaniment continues beneath the melody before the music moves into longer closing notes and chords. The final measures broaden the texture and resolve into a sustained final sonority, giving the arrangement a peaceful and complete ending.

Interesting fact: “Away in a Manger” was long associated with Martin Luther, but that attribution is now considered incorrect. The carol appears to have originated in the United States in the late nineteenth century. Early publications appeared in the 1880s, including an 1885 Lutheran children's songbook, and the familiar melody known as “Mueller” was published by James R. Murray in 1887.