Description:
“C. P. E. Bach - March in G Major, BWV Anh. 124” is classified as a Level 4 Piano work worth 4,350 points within the Road to Virtuosity progression system. It is categorized under Composers → Bach, C. P. E. and is part of the Baroque collection. The sheet music for “C. P. E. Bach - March in G Major, BWV Anh. 124” provided on this website is available for non-commercial use. This means it may be downloaded, printed, studied, and performed for personal or educational purposes, but it may not be sold, redistributed commercially, or used as part of a paid product without permission.
“C.P.E. Bach - March - Anh. 124” is a one-page keyboard march in G major, marked Allegro vivace. The piece has a bright, energetic character, with quick right-hand sixteenth-note figures, steady left-hand support, repeated sections, trills, clear dynamic contrasts, and a strong march-like pulse. Although it is short, the music requires crisp articulation and clean coordination because the melody moves quickly while the left hand keeps the rhythm grounded.
Measures 1–4 introduce the main march idea. The right hand plays short, lively sixteenth-note figures and repeated melodic patterns, while the left hand supports with simple bass notes and rests. The mezzo forte opening gives the piece a confident, energetic beginning.
Measures 5–9 continue the first section with softer contrast and a small build. The dynamic drops to piano, then grows through crescendo toward a stronger forte ending. The right hand remains active with quick figures, while the left hand gives the phrase a steady harmonic foundation.
Measures 10–13 begin the second section with a quieter return of the running texture. The right hand again uses quick sixteenth-note motion, while the left hand supports with repeated bass movement. The crescendo across the phrase gradually increases the energy and pushes the music forward.
Measures 14–17 continue the second section with a broader melodic line. The right hand moves through longer slurred shapes and quick passing notes, while the left hand supports underneath with simple quarter-note motion. The dynamic contrast between mezzo forte and mezzo piano keeps this section lively without becoming heavy.
Measures 18–22 bring the march to its final close. The right hand uses more quick figures, a trill, and a final strong phrase, while the left hand supports with steady bass notes and a simple repeated pattern. The forte ending gives the short march a clear and confident finish.
Interesting fact: This march is often associated with the Bach family teaching tradition, but the “Anh.” catalog label means it appears in an appendix rather than among securely established core works. Pieces like this are still useful because they give students a small Baroque/Classical-style march with real musical character: quick motion, repeated sections, ornaments, and strong phrase endings.
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