Ferdinand Beyer - 6 Morceaux élégants, Op. 80, No. 6 - Dein ist mein Herz

Measure numbers follow the printed barlines; an extended flourish within a printed bar counts as one measure.

The Allegretto begins in 3/4. Measures 1-7 alternate emphatic chord figures and quieter paired-note replies, then move into repeated upper notes above lower chords. Measures 8-22 repeat upper notes and chords above short rising bass figures, expand into paired-note runs, and descend into quieter arpeggios. Measures 23-34 introduce a slurred single-note melody above continuous lower broken chords, with a short lead-in marked dolce in measure 24. Measures 35-48 broaden into held upper chords and short chord replies above recurring lower chords. Measures 49-56 bring back the slurred melody and broken-chord accompaniment, expanding into paired notes.

Measures 57-65 introduce broad rising and falling upper runs above lower chords; an extended held-note flourish opens measure 61 before the run resumes. Measures 66-71 exchange short rising triplet arpeggios between the two parts, then descend into a wide arpeggio and chord reply. Measures 72-90 return to the held upper chords, repeated lower chords, and brief paired-note replies. Measures 91-101 carry the slurred melody above lower broken chords, widen into paired notes and fuller chords, and end with a quiet held chord.

Measures 102-126 introduce longer held upper notes alternating with broad rising and falling runs over flowing lower broken chords. Short ascending figures then build through the registers. Measures 127-142, marked con passione at the start, return to held upper chords and brief paired-note phrases above recurring lower chords. Measures 143-160 move into a quieter melody, an upper trill, and wide rising and descending runs, then exchange repeated figures between the two parts. Measures 161-163 slow through Adagio and Lento chord replies and close with a held C-major harmony.