Ferdinand Beyer - Hommage a la Russie, Op. 100, No. 3 - Romance de Warlamoff

Measures 1-20 form an Allegretto introduction in 3/8. A low held note leads into slurred rising and falling phrases. Stronger chords and descending figures expand into high-register runs before the music grows quieter and the lower part introduces broken chords.

Measures 21-78 present and extend the theme. A gentle upper melody combines slurred three-note figures with held notes and paired harmonies above a steady broken-chord accompaniment. Stronger descending phrases alternate with repeated grace-note replies. The quieter melody returns at measure 49, and broad rising arpeggios lead into the next passage.

Measures 79-106 add flowing upper figures around the melody. Rising broken chords and high accented notes alternate with shorter replies over a regular lower accompaniment. The texture grows stronger through upper octave phrases and broad arpeggios that reach into the high register.

Measures 107-156 alternate short descending upper figures with repeated-note replies and longer rising and falling runs. Bass notes and chord replies support the melody, then held lower harmonies return beneath the descending lines. The musical figures recur in different registers with changing harmonies and dynamics.

Measures 157-171 form the closing passage. Accented chord exchanges lead into high running figures, followed by broad arpeggios that pass between the two hands. Strong upper chords give way to a low held note and the final chord with a fermata.