Franz Wohlfahrt - Sixty Studies for the Violin, Op. 45 No. 55

Romantic

Difficulty Level: 5

(11,000 Points)

Description:

“Franz Wohlfahrt - Sixty Studies for the Violin, Op. 45 No. 55” is classified as a Level 5 Violin work worth 11,000 points within the Road to Virtuosity progression system. It is categorized under Composers and is part of the Romantic collection. The sheet music for “Franz Wohlfahrt - Sixty Studies for the Violin, Op. 45 No. 55” provided on this website is available for non-commercial use. This means it may be downloaded, printed, studied, and performed for personal or educational purposes, but it may not be sold, redistributed commercially, or used as part of a paid product without permission.

Allegro; C major, 9/8 time. An eighth-note pickup leads to broad string-crossing figures, with short slurs crossing the bar lines. Scale passages, chords, and chromatic alterations contrast with the recurring low-register patterns; rests separate the final chords.

Pickup: The opening G3 leads into measure 1.

Measures 1–8: The opening figure is C4–C5–C4–B3. The written pitches span G3 to E6. Measure 3 returns to the pitch pattern of measure 1. Measure 8 ends on G3.

Measures 9–16: The opening figure is C4–C5–C4–B3. The written pitches span G3 to E6. Measure 9 returns to the pitch pattern of measure 1. Measure 16 ends on E5.

Measures 17–24: The opening figure is D6–E5–D6–C6. The written pitches span G3 to E6. Measure 24 ends on G3.

Measures 25–32: The opening figure is F4–G3–F4–E4. The written pitches span G3 to C5. Measure 29 returns to the pitch pattern of measure 25. Measure 32 ends on A3.

Measures 33–40: The opening figure is G3–G4–G3–A3. The written pitches span G3 to C6. Measure 33 returns to the pitch pattern of measure 2. Measure 40 ends on C4.

Measures 41–48: The passage opens on the A4–C4 sonority. The written pitches span G3 to D6. Measure 43 returns to the pitch pattern of measure 39. Measure 48 ends on B3.

Measures 49–56: The opening figure is C4–G3–C4–E4. The written pitches span G3 to C6. Measure 49 returns to the pitch pattern of measure 47. The study closes on the C6–E5–G4–C4 sonority.

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