Cornelius Gurlitt’s “Polka” is a short, lively piano piece in C major, written in 2/4 time and marked Allegro scherzando. The music has a playful dance character, with quick right-hand patterns, light left-hand chord support, dynamic contrasts, and a D.C. al Fine structure. Students should focus on keeping the tempo steady, playing the right-hand sixteenth notes evenly, and making the polka rhythm light and energetic.

Measures 1–4 introduce the main polka idea. The right hand plays a quick, playful melody with slurs and short moving notes, while the left hand supports with bass notes and small chords. The opening begins at mp, so the sound should be light and lively rather than heavy.

Measures 5–8 repeat and strengthen the opening idea. The dynamic changes to f, giving the same musical material a brighter and more confident sound. This section ends at the Fine marking, which becomes the final stopping point after the D.C. return.

Measures 9–12 begin the contrasting middle section. The right hand uses quick sixteenth-note patterns and small chromatic touches, while the left hand continues with a steady accompaniment. The dynamic begins at mf, giving this section a slightly stronger and more active character.

Measures 13–16 continue the middle section with more energy. The right hand has more fast notes and a crescendo, while the left hand keeps the dance rhythm steady underneath. The D.C. al Fine marking sends the player back to the beginning, then the piece ends at the Fine in measure 8.

Interesting fact: A polka is a lively dance in duple meter, usually felt in two beats per measure. Gurlitt’s short piano setting keeps that dance character while making it accessible for students through clear phrases, repeated patterns, and simple left-hand support.