“I Love To Tell The Story - Advanced Piano Arrangement No. 1” is an advanced piano arrangement of the well-known hymn tune by William G. Fischer. This arrangement by Michael Kravchuk is written in 4/4 time with a key signature of one sharp. The music uses a short dramatic introduction, a lyrical hymn statement, flowing left-hand accompaniment, chordal variation, thicker textures, chromatic color, and a broad final section.

Measures 1–4 form the introduction. The arrangement begins with strong chords, open bass tones, and an ascending flourish that leads into the hymn melody.

Measures 5–21 introduce the main hymn tune. The melody is presented clearly in the right hand while the left hand moves in flowing accompaniment patterns. This section gives the first full statement of the hymn in a lighter, more lyrical texture.

Measures 22–29 begin a new texture. The accompaniment changes from flowing broken patterns into a steadier chordal rhythm. The melody remains clear, but the music now has more weight and a stronger hymn-like foundation.

Measures 30–45 move into a fuller chordal variation. The right hand uses repeated chord patterns and rhythmic accents while the lower part continues the melodic and harmonic motion. This section is more energetic and developed than the opening statement.

Measures 46–53 return to the hymn material with a broader sound. The melody is strengthened with thicker harmony, and the accompaniment continues the steady chordal pattern from the previous section.

Measures 54–67 form the most powerful middle section of the arrangement. The texture becomes much fuller, with heavier right-hand chords, stronger bass support, and more chromatic harmony. This section creates the main dramatic build of the piece.

Measures 68–71 act as a transition out of the climactic section. The music begins to release some of the intensity and prepares the final return of the hymn tune.

Measures 72–79 present the final hymn statement. The melody returns in a broader texture, supported by wide left-hand movement and fuller harmony.

Measures 80 to the end form the coda. The music moves into a higher register, using 8va writing, broad chords, and a final ascending flourish before the closing cadence.

Interesting fact: “I Love to Tell the Story” comes from a poem by Katherine Hankey. William G. Fischer later wrote the tune HANKEY and added the refrain, helping the hymn become the version commonly sung today.