Description:
“Scarlatti - Sonata in A Major - L 483/K 322” is classified as a Level 5 Piano work worth 13,204 points within the Road to Virtuosity progression system. It is categorized under Composers → Scarlatti, Domenico and is part of the Baroque collection. The sheet music for “Scarlatti - Sonata in A Major - L 483/K 322” provided on this website is available for non-commercial use. This means it may be downloaded, printed, studied, and performed for personal or educational purposes, but it may not be sold, redistributed commercially, or used as part of a paid product without permission.
Scarlatti’s Sonata L. 483/K. 322 is a graceful Baroque keyboard sonata in A major. This edition is marked Andante cantabile, giving the piece a singing, lyrical character rather than a flashy one. The music uses long slurs, gentle dynamic changes, repeated melodic shapes, sustained left-hand notes, and clear two-part writing. The main challenge is to keep the melody smooth and expressive while the left hand supports the harmony with calm, steady tones.
Measures 1–5 introduce the cantabile character of the sonata. The right hand carries a smooth singing melody, while the left hand supports with long held notes. The opening dynamic is soft, and the legato marking helps establish a connected, lyrical sound.
Measures 6–10 continue the opening idea with small ornaments, slurred groups, and gentle dynamic shaping. The melody rises and falls in short phrases, while the left hand keeps a steady harmonic foundation underneath.
Measures 11–20 move into a softer and more expressive passage. The right hand continues with small slurred figures and stepwise motion, while the left hand changes harmony with longer tones. A crescendo gradually brings more energy into the phrase.
Measures 21–30 become stronger and more dramatic. The right hand uses longer running figures and more accidentals, while the left hand continues to support with sustained notes. The dynamics move from f back to softer markings, giving this section a clear sense of contrast.
Measures 31–45 complete the first repeated section. The melody continues with flowing right-hand patterns, then settles into first and second endings. This gives the first half of the sonata a balanced Baroque binary form.
Measures 46–56 begin the second repeated section. The main style returns, but the music starts in a new harmonic direction. The right hand keeps the singing line active with short slurs and repeated melodic figures, while the left hand provides a steady bass foundation.
Measures 57–67 continue the second half with more movement and dynamic shaping. The music includes dim. and cresc. markings, helping the phrase breathe and grow. The right hand remains lyrical, but the harmony becomes more active as the piece moves toward its final return.
Measures 68–75 build toward the strongest part of the second section. The dynamics grow from p through mp and mf to f, and the right hand plays higher, more expressive figures. This gives the ending section more drive and direction.
Measures 76 to the end form the closing passage. The right hand plays a long connected phrase while the left hand supports with simple sustained tones. The final measures are marked dim. e rit., asking the performer to become softer and slower before the final cadence and repeat sign.
Interesting fact: This sonata is known by more than one catalog number: L. 483 in the Longo catalog, K. 322 in the Kirkpatrick catalog, and P. 360 in the Pestelli catalog. Scarlatti wrote hundreds of keyboard sonatas, and these different numbering systems are often used to help identify the same piece across editions.
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