“Spindler - Sonatina - Op. 157, No. 1 - Second Movement - Tarantella” is classified as a Level 4 Piano work worth 4,378 points within the Road to Virtuosity progression system. It is categorized under Composers → Spindler, Fritz and is part of the Romantic collection. The sheet music for “Spindler - Sonatina - Op. 157, No. 1 - Second Movement - Tarantella” provided on this website is available for non-commercial use. This means it may be downloaded, printed, studied, and performed for personal or educational purposes, but it may not be sold, redistributed commercially, or used as part of a paid product without permission.
Fritz Spindler’s Sonatina, Op. 157, No. 1, Second Movement: “Tarantella” is a lively Romantic student piece in C major, written in 3/8 time and marked Vivace. The music has the quick, spinning character of a tarantella, with repeated rhythmic patterns, light left-hand chord support, rapid right-hand figures, sudden dynamic contrasts, and several energetic crescendos. Students should focus on keeping the 3/8 pulse steady, playing the right-hand patterns evenly, and making the music sound fast and lively without becoming rushed or heavy.
Measures 1–8 introduce the main tarantella theme. The right hand plays quick repeated figures under long slurs, while the left hand supports with short chords and rests. The opening begins at mf, then repeats more softly at p, giving the theme a clear echo effect.
Measures 9–20 continue the opening material and lead into a stronger passage. The right hand moves through longer running figures and small sequences, while the left hand holds longer bass tones underneath. The dynamic grows to f, giving this section more energy and forward motion.
Measures 21–30 return to a softer version of the main rhythmic idea. The right hand continues the quick tarantella pattern, while the left hand supports with simple chords and bass notes. A crescendo near the end of the phrase prepares the next stronger section.
Measures 31–46 move into a more dramatic passage. The right hand uses repeated figures and chromatic notes, while the left hand supports with held tones and accented chords. The music grows, then softens through dim. and briefly pauses with fermatas before the main idea returns.
Measures 47–62 bring back the opening tarantella theme. The right hand again carries the quick repeated figures, and the left hand supports with short chordal answers. The 8va marking places part of the melody higher, making the return sound brighter before it closes with another brief pause.
Measures 63–72 begin a stronger final section at f. The right hand plays fast repeated patterns, while the left hand gives firm chord support. The music feels more confident here, with the tarantella rhythm driving forward.
Measures 73–82 build toward the ending. Both hands become more active, and the music includes rising figures, accidentals, and a crescendo. This section increases the excitement before the final high-register passage.
Measures 83 to the end form the closing passage. The dynamic reaches ff, and the right hand plays bright broken patterns above strong left-hand chords. The final measures settle into a clear C major ending with a fermata, giving the movement a bold and energetic close.
Interesting fact: Spindler’s Op. 157 is a set of 10 sonatinas, and No. 1 is specifically titled Sonatina mit Tarantella, meaning “Sonatina with Tarantella.” A tarantella is a fast Italian dance often written in a quick 3/8, 6/8, or similar compound-meter rhythm, which explains the lively spinning motion of this movement.
Submit Video