Description:
“The Strife Is Over - Intermediate Piano Arrangement No. 3” is classified as a Level 4 Piano work worth 4,200 points within the Road to Virtuosity progression system. It is categorized under Intermediate Piano Arrangements → Hymns, Hymns - Easter and is part of the Sacred collection. The sheet music for “The Strife Is Over - Intermediate Piano Arrangement No. 3” provided on this website is available for non-commercial use. This means it may be downloaded, printed, studied, and performed for personal or educational purposes, but it may not be sold, redistributed commercially, or used as part of a paid product without permission.
“The Strife Is Over” is an intermediate piano arrangement of the Easter hymn “The Strife Is O’er, the Battle Done.” This arrangement by Uliana Selska is written in B-flat major and 3/4 time, with a clear hymn melody, simple harmonic support, repeated chordal patterns, and a steady, stately character. The music should sound noble and triumphant, but not rushed. Students should focus on keeping the melody clear, playing the chords evenly, and maintaining a smooth three-beat pulse throughout the arrangement.
Measures 1–7 introduce the opening hymn melody. The right hand begins with the tune, while the left hand supports with simple bass notes and long held tones. The texture is open and clear, giving the hymn a calm and reverent beginning.
Measures 8–15 continue the first phrase with a similar melody-and-support texture. The left hand moves gently underneath the right-hand melody, and the phrase settles into longer notes. Students should keep the rhythm steady and avoid making the half notes too heavy.
Measures 16–23 bring a fuller chordal sound. The right hand uses repeated chords and held notes, while the left hand supports with longer bass tones. This section should sound stronger and more hymn-like, with the melody still projected clearly.
Measures 24–30 continue the chordal writing and lead toward a cadence. The right hand includes repeated chord figures, while the left hand outlines the harmony below. The music should feel steady and confident, like a congregational hymn setting.
Measures 31–37 close the first page with a return to a more open texture. The right hand finishes the phrase with longer melody notes, while the left hand provides simple bass support. The ending of the page should sound settled before the music continues.
Measures 38–44 begin the second page with fuller chords in both hands. The hymn character becomes stronger here, and the hands often move together in a firm rhythmic pattern. Students should keep the sound full but controlled.
Measures 45–51 continue with a mixture of chordal support and moving bass notes. The left hand becomes more active while the right hand keeps the hymn melody clear. This section needs careful balance so the lower motion does not cover the tune.
Measures 52–58 bring another strong chordal section. The right hand plays repeated chords and longer notes, while the left hand gives steady harmonic support. The sound should remain noble and confident.
Measures 59–64 move toward the final cadence. The right hand carries the last part of the hymn melody, while the left hand supports with simple bass motion. The phrase should feel like it is preparing the final “Alleluia” ending.
Measures 65 to the end form the closing passage. The right hand finishes the melody above full left-hand chords, and the final measures settle firmly in B-flat major. The ending should sound peaceful, triumphant, and complete.
Interesting fact: “The Strife Is O’er, the Battle Done” is an Easter hymn based on a Latin text and translated by Francis Pott. The tune is commonly known as VICTORY or VICTORY (Palestrina), connecting the hymn with the Renaissance composer Giovanni Pierluigi da Palestrina.
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