Franz Wohlfahrt - Sixty Studies for the Violin, Op. 45 No. 21

Romantic

Difficulty Level: 4

(5,200 Points)

Description:

“Franz Wohlfahrt - Sixty Studies for the Violin, Op. 45 No. 21” is classified as a Level 4 Violin work worth 5,200 points within the Road to Virtuosity progression system. It is categorized under Composers and is part of the Romantic collection. The sheet music for “Franz Wohlfahrt - Sixty Studies for the Violin, Op. 45 No. 21” provided on this website is available for non-commercial use. This means it may be downloaded, printed, studied, and performed for personal or educational purposes, but it may not be sold, redistributed commercially, or used as part of a paid product without permission.

Allegro; G major, 3/4 time. Pairs of eighth notes alternate broad string-crossing skips with short slurred groups. Accents and detached notes distinguish the repeated figures; chromatic passages lead to closing chords and a held G octave.

Measures 1–8: The opening figure is G4–G3–G4–G3. The written pitches span G3 to B5. Measure 3 returns to the pitch pattern of measure 1. Measure 8 ends on A4.

Measures 9–16: The opening figure is G4–D4–B4–D4. The written pitches span D4 to B5. Measure 9 returns to the pitch pattern of measure 5. Measure 16 ends on A4.

Measures 17–24: The opening figure is E5–G4–E5–F♯4. The written pitches span E4 to B5. Measure 19 returns to the pitch pattern of measure 17. Measure 24 ends on D♯5.

Measures 25–32: The opening figure is E5–B4–G5–B4. The written pitches span E4 to B5. Measure 25 returns to the pitch pattern of measure 21. Measure 32 ends on D5.

Measures 33–40: The opening figure is E5–E4–C5–A4. The written pitches span G3 to E5. Measure 37 returns to the pitch pattern of measure 1. Measure 40 ends on F♯4.

Measures 41–48: The opening figure is G4–G3–B3–D4. The written pitches span G3 to B5. Measure 43 returns to the pitch pattern of measure 41. Measure 48 ends on A4.

Measures 49–56: The opening figure is G4–G3–G4–G3. The written pitches span G3 to G5. Measure 49 returns to the pitch pattern of measure 1. Measure 56 ends on G5.

Measures 57–59: The line begins on B5. The written pitches span G3 to B5. The study closes on the G4–G3 sonority.

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